Hidden Voices IV
- Bethan Ash
- Mar 20
- 1 min read
This is the latest collaboration between artists Paul Steer and Eleanor Greenwood. They explore their connection with the post-industrial landscapes and seascapes of south Wales. These places, once abandoned, are often thriving ecosystems where the voices of the land mingle with those of past and present communities.
Eleanor Greenwood MA BA (Hons)
Eleanor is an artist who works in mixed media, performance, photography and film. She draws deeply from her connection with the landscape of south Wales, its heritage and mythology and is especially drawn to places that are overlooked. In her work she finds the sacred in the mundane.
Paul Steer MA BA (Hons)
Paul’s work is the result of a continuing struggle with the human capacity for othering, particularly the separation of ourselves from the rest of the living world. His work identifies hope and a reconnection to the living landscape. Life is resilient and returns, even to the plundered extracted landscapes of post- industrial south Wales. New ecologies are forming. We have shaped the land, perhaps now we need to let the land shape us?
The show opens on Saturday April 4th at 2pm and runs until Saturday April 25th
스트레스 해소를 위해 이용한 것이 매우 효과적이었습니다. 전문적인 출장마사지 손길로 근육을 풀어주어 몸이 한결 편안해졌습니다. 재이용 의사가 있습니다.
하루 종일 사무실에서 근육이 뻐근했는데, 집에서 받은 출장마사지 덕분에 긴장이 풀리고 몸이 훨씬 편안해졌습니다. 전문 마사지사의 손길이 섬세해 피로 회복에 큰 도움이 되었습니다.
I’m always interested in how artists respond to landscape and the way spaces carry layered histories. On a practical note, when displaying or viewing work, the quality of light in a space can really affect how pieces are seen. I’ve used https://www.tintfit.com/ to reduce glare and UV on windows in my own workspace, which helps maintain a more consistent light level for looking at art. It’s a simple adjustment that can make a difference in how work is experienced, especially in spaces with a lot of natural light.